AL: My first impulse was to do “War” by Edwin Starr. I love that song.
LAT: That makes sense -- Bruce Springsteen recorded it, too.
AL: He has? I haven’t heard that version. I want to hear that. And Randy Jackson produced a Motown album with Boyz II Men and they do a version of it. It’s great, but the week before I had just done “Ring of Fire,” so I already caused controversy and pushed the buttons and polarized everybody and I’m really happy about it because I liked what I did and I got to be weird and set myself apart, so I felt I should probably go the complete opposite direction and be super-cleaned-up and kind of pretty and acoustic and organic. That was me being strategic, because I don’t really see myself singing in an acoustic style but I knew I could and it was fun. Because it was Motown, I always wanted to dress fitting the song, so I said, “Let’s get a suit and brush my hair and take off the makeup and the nail polish and do like a real classic look because it’s fresh.” It got everybody talking and I realized I could play with image on the show more than I thought I could.”
LAT: How did you work with the stylists?
AL: They were really good. Miles and Art were very, very, very collaborative and receptive to every idea that I had and they really supported me. I mean, a lot of it was me saying, “I want to do something like this,” and they’d say, “OK, let’s go shopping,” and then we would put together [my look] as a team.
LAT: Not every contestant comes up with their own ideas for how they’re going to look.
AL: I’m the L.A. guy. I like clothes and visual presentation and playing dress-up. I think that definitely was an advantage.
LAT: You mentioned singing an acoustic song. Your version of Tears for Fears’ “Mad World” was a great example of that. How did you choose to sing that?
AL: The theme was year of birth. They gave us a list and that song popped out at me and I remembered the Gary Jules version from the movie, “Donnie Darko.” It’s haunting and beautiful and it gets in your head and the words are amazing and I wanted to do it because I knew it would be different and very non-“Idol” and not showy. I wanted to pull back and sound really vulnerable and just do the song justice and they came up with a great arrangement of it, kind of this ambient, acoustic thing.
Read all of Part Four
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